Plet Bolipata’s 'The time has come' is a stirring testament to reinvention, memory, and artistic freedom
In “The time has come,” BOLIPATA said, “to talk of many things,” Plet Bolipata presents an exhibition that feels both deeply personal and expansively imaginative.
Atty. Anna Mae Yu Lamentillo/Paraluman News
10 March 2026 at 14:30:15

“Self-portrait as lithographer at the Art Students League, NY 2025" by Plet Bolipata.
Artwork by Plet Bolipata
In “The time has come,” BOLIPATA said, “to talk of many things,” Plet Bolipata presents an exhibition that feels both deeply personal and expansively imaginative.
The show gathers works shaped by solitude, rediscovery, familial memory, and surreal fantasy, revealing an artist who continues to grow with remarkable courage and authenticity. More than a survey of recent production, the exhibition reads as a declaration: Bolipata has arrived at a new clarity in her practice, one forged through experience, discipline, and an unshakable commitment to self-expression.
A self-taught painter, Bolipata has long followed a path defined not by convention, but by intuition and conviction. Living and working in a mango orchard in San Antonio, Zambales—where art and daily life naturally converge—she has cultivated a practice that feels organic, intimate, and defiantly her own. That spirit permeates this exhibition.
There is no sense of artifice here; instead, the works pulse with lived feeling, with images and symbols drawn from the artist’s own emotional and imaginative world.
What makes this body of work especially compelling is the way it bridges past and present. Bolipata’s return to New York in early 2025 appears to have sparked a profound creative renewal. Revisiting the Art Students League of New York and embracing both drawing and lithography, she entered a period of rigorous experimentation that sharpened her hand and deepened her confidence.
The immediacy of sketching with Posca acrylic paint markers—capturing café patrons, urban scenes, and fleeting encounters—seems to have infused her works with a new decisiveness. Meanwhile, the physical demands of lithography brought a tougher discipline to her process, reinforcing the clarity and boldness of her mark-making.
That combination of spontaneity and rigor is palpable throughout the exhibition. Bolipata’s works feel fearless in their execution: intuitive yet controlled, playful yet deliberate. They retain the freshness of discovery while carrying the assurance of an artist who trusts her instincts. This tension between vulnerability and confidence gives the exhibition much of its emotional force.
Storytelling remains at the center of Bolipata’s art, and here it unfolds with particular richness. Her canvases draw from childhood, family life, and fantasy, but they resist simple autobiography. Instead, memory is transformed—reimagined through color, symbolism, and surreal invention. The paintings that revisit her upbringing among gifted siblings carry a sense of tenderness and wonder, suggesting that personal history is not merely recalled, but actively re-felt and remade on the canvas.
Especially intriguing are the oval works framed in patterned cloth, in which Bolipata imagines an intimate kinship with Frida Kahlo and Diego Rivera.
These pieces open up a meditation on womanhood, creativity, fertility, and the layered realities of being an artist alongside a celebrated husband. Rather than functioning as homage alone, they feel like acts of self-positioning—placing Bolipata within a wider lineage of women artists who negotiate identity, authorship, and companionship on their own terms. The result is thoughtful, witty, and emotionally resonant.
Color, too, plays a vital role in shaping the exhibition’s affective world. Bolipata has said that form challenges her while color propels her, and that dynamic is vividly evident here. Her palette does not merely decorate; it directs feeling. Blue reaches toward the celestial and the contemplative, while orange grounds the work in warmth, vitality, and earthly presence. This expressive use of color lends the exhibition a lyrical energy, allowing emotion and meaning to emerge not only through image, but through atmosphere.
What ultimately distinguishes “The time has come” is its generosity of spirit. These works do not pretend to perfection; rather, they embrace exploration as a vital, ongoing process.
There is something profoundly moving in Bolipata’s willingness to keep experimenting, to keep learning, and to keep opening new dimensions in her art. The exhibition affirms that artistic evolution is not bound by age or fixed identity, but remains possible wherever curiosity and courage endure.
Plet Bolipata’s latest exhibition is a vivid and heartfelt achievement. It captures an artist in the midst of meaningful transformation—one who honors memory without being confined by it, and who turns fantasy, discipline, and lived experience into a language unmistakably her own. In these works, Bolipata speaks of many things, and she does so with grace, clarity, and conviction.
-Paraluman News


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“Self-portrait as lithographer at the Art Students League, NY 2025 by Plet Bolipata.
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